Intellectual cover is a usually negative term for sophisticated arguments provided by members of the intelligentsia to bolster a particular viewpoint, and thereby help it gain respectability. Usually the viewpoint is one that a supporter leaned toward anyway, but needed arguments to help him justify to others.More at Wikipedia
Trivium & Quadrivium
The quadrivium (plural: quadrivia) is the four subjects, or arts, taught after teaching the trivium. The word is Latin, meaning four ways, and its use for the four subjects has been attributed to Boethius or Cassiodorus in the 6th century. Together, the trivium and the quadrivium comprised the seven liberal arts (based on thinking skills), as distinguished from the practical arts (such as medicine and architecture).
Etymologically, the Latin word trivium means “the place where three roads meet” (tri + via); hence, the subjects of the trivium are the foundation for the quadrivium, the upper division of the medieval education in the liberal arts, which comprised arithmetic (number), geometry (number in space), music (number in time), and astronomy (number in space and time). Educationally, the trivium and the quadrivium imparted to the student the seven liberal arts of classical antiquity.[1]
Grammar teaches the mechanics of language to the student. This is the step where the student “comes to terms,” defining the objects and information perceived by the five senses. Hence, the Law of Identity: a tree is a tree, and not a cat.
Logic (also dialectic) is the “mechanics” of thought and of analysis, the process of identifying fallacious arguments and statements and so systematically removing contradictions, thereby producing factual knowledge that can be trusted.
Rhetoric is the application of language in order to instruct and to persuade the listener and the reader. It is the knowledge (grammar) now understood (logic) and being transmitted outwards as wisdom (rhetoric).
One can utilise a computer analogy to conceptually explain the Trivium. Per analogiam, input (via input channels such as the senses/sensors, or any other form of information transmission ) refers to grammar, processing to logic (thought & analysis), and output to rhetoric (written words & spoken language).
Sister Miriam Joseph, in The Trivium: The Liberal Arts of Logic, Grammar, and Rhetoric (2002), described the trivium as follows:
Grammar is the art of inventing symbols and combining them to express thought; logic is the art of thinking; and rhetoric is the art of communicating thought from one mind to another, the adaptation of language to circumstance.
. . .
Grammar is concerned with the thing as-it-is-symbolized. Logic is concerned with the thing as-it-is-known. Rhetoric is concerned with the thing as-it-is-communicated.[4]
John Ayto wrote in the Dictionary of Word Origins (1990) that study of the trivium (grammar, logic, and rhetoric) was requisite preparation for study of the quadrivium (arithmetic, geometry, music, and astronomy). For the medieval student, the trivium was the curricular beginning of the acquisition of the seven liberal arts; as such, it was the principal undergraduate course of study. The word trivial arose from the contrast between the simpler trivium and the more difficult quadrivium.[5]
Quadrivium
The quadrivium consisted of arithmetic, geometry, music, and astronomy. These followed the preparatory work of the trivium, consisting of grammar, logic, and rhetoric. In turn, the quadrivium was considered preparatory work for the study of philosophy (sometimes called the “liberal art par excellence”)[5] and theology.
These four studies compose the secondary part of the curriculum outlined by Plato in The Republic and are described in the seventh book of that work (in the order Arithmetic, Geometry, Astronomy, Music). [4] The quadrivium is implicit in early Pythagorean writings and in the De nuptiis of Martianus Capella, although the term quadrivium was not used until Boethius, early in the sixth century.[6] As Proclus wrote:
The Pythagoreans considered all mathematical science to be divided into four parts: one half they marked off as concerned with quantity, the other half with magnitude; and each of these they posited as twofold. A quantity can be considered in regard to its character by itself or in its relation to another quantity, magnitudes as either stationary or in motion. Arithmetic, then, studies quantities as such, music the relations between quantities, geometry magnitude at rest, spherics [astronomy] magnitude inherently moving.[7]
Medieval usage
At many medieval universities, this would have been the course leading to the degree of Master of Arts (after the BA). After the MA, the student could enter for bachelor’s degrees of the higher faculties (Theology, Medicine or Law). To this day, some of the postgraduate degree courses lead to the degree of Bachelor (the B.Phil and B.Litt. degrees are examples in the field of philosophy).
The study was eclectic, approaching the philosophical objectives sought by considering it from each aspect of the quadrivium within the general structure demonstrated by Proclus (AD 412–485), namely arithmetic and music on the one hand[8] and geometry and cosmology on the other.[9]
The subject of music within the quadrivium was originally the classical subject of harmonics, in particular the study of the proportions between the musical intervals created by the division of a monochord. A relationship to music as actually practised was not part of this study, but the framework of classical harmonics would substantially influence the content and structure of music theory as practised in both European and Islamic cultures.
Modern usage
In modern applications of the liberal arts as curriculum in colleges or universities, the quadrivium may be considered to be the study of number and its relationship to space or time: arithmetic was pure number, geometry was number in space, music was number in time, and astronomy was number in space and time. Morris Kline classified the four elements of the quadrivium as pure (arithmetic), stationary (geometry), moving (astronomy), and applied (music) number.[10]
This schema is sometimes referred to as “classical education”, but it is more accurately a development of the 12th- and 13th-century Renaissance with recovered classical elements, rather than an organic growth from the educational systems of antiquity. The term continues to be used by the Classical education movement and at the independent Oundle School, in the United Kingdom.[11]
see also: www.oundleschool.org.uk/Trivium-and-Quadrivium
Further References
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Bordieu’s Habitus & Hexis
The term habitus (/ˈhæbɪtəs/) refers to ingrained habits, skills, and psychological/behavioral dispositions. It is the way that individuals perceive the social world around them and react to it. These dispositions are usually shared by people with similar backgrounds (such as social class, religion, nationality, ethnicity, education, profession etc.). The habitus is acquired through imitation (mimesis) and is the reality that individuals are socialized, which includes their individual experience and opportunities. Thus, the habitus represents the way group culture and personal history shape the body and the mind, and as a result, shape present social actions of an individual.
Pierre Bourdieu suggested that the habitus consists of both the hexis (the tendency to hold and use one’s body in a certain way, such as posture and accent) and more abstract mental habits, schemes of perception, classification, appreciation, feeling, and action. These schemes are not mere habits: Bourdieu suggested they allow individuals to find new solutions to new situations without calculated deliberation, based on their gut feelings and intuitions, which Bourdieu believed were collective and socially shaped. These attitudes, mannerisms, tastes, moral intuitions and habits have influence on the individual’s life chances, so the habitus not only is structured by an individual’s objective past position in the social structure but also structures the individual’s future life path. Pierre Bourdieu argued that the reproduction of the social structure results from the habitus of individuals (Bourdieu, 1987).
References
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Solom Aschs studies of conformity
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The limbic system
Prefrontal top-down regulation
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Self-control
2007). The strength model of self-control. Current Directions in Psychological Science
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Dual-process theory
In psychology, a dual process theory provides an account of how thought can arise in two different ways, or as a result of two different processes. Often, the two processes consist of an implicit (automatic), unconscious process and an explicit (controlled), conscious process. Verbalized explicit processes or attitudes and actions may change with persuasion or education; though implicit process or attitudes usually take a long amount of time to change with the forming of new habits. Dual process theories can be found in social, personality, cognitive, and clinical psychology. It has also been linked with economics via prospect theory and behavioral economics, and increasingly in sociology through cultural analysis.
en.wikipedia.org/wiki/Dual_process_theory
Dual-process models of cognition: A multifarious nomenclature (or a terminological pandemonium)
- automatic vs. controlled (Kahneman, 2003)
- associative vs. rule based (Sloman, 1996)
- heuristic vs. analytic (Klaczynski, 2001)
- personal vs. subpersonal (Frankish, 2009)
- analogue vs. symbolic (Paivio, 1986)
- reflexive vs. reflective (Lieberman et al., 2002)
- heuristic vs. systematic (Chaiken, 1980)
- peripheral vs. central (Petty & Cacioppo, 1981)
- implicit vs. explicit (Greenwald et al., 1998)
- automatic vs. conscious (Baumeister, 2005)
- experiential vs. noetic (Strack & Deutsch, 2004)
- intuitive vs. reflective (Sperber, 1997)
- associative vs. propositional (Gawronski & Bodenhausen, 2006)
- etc. pp.
It has been noted that “what matters is not the specific names but the fact of duality” (Baumeister, 2005, p.75).
Summary of the features attributed to each system
System 1 | System 2 |
|
|
Adapted from Frankish, K. (2009). Systems and levels: Dual-system theorie and the personal-subpersonal distinction. In J. S. B. T. Evans & K. Frankish (Eds.), In two minds: Dual processes and beyond (p. 89-108). Oxford: Oxford University Press.
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Elaboration likelihood model
URL: www.psy.ohio-state.edu/petty/documents/1986ADVANCESsPettyCacioppo.pdf
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